Alright, let’s cut the fluff.
You run a studio. Or you DJ. Or you sell audio gear. And you need headphones that actually work – not ones that fall apart after six months, not ones that lie to your ears.
We hear you. Because we get emails like this every day:
“I need headphones that sound accurate.”
“I need something that doesn’t make my ears hurt after two hours.”
“I need my brand on them, not someone else’s.”
“I need them now, not in three months.”
So here’s the deal. I’m going to show you what we make at LESOUND ELECTRONICS under our Audfine brand. Then you can decide which one fits your situation. And if none of them do? We can tweak things – that’s what OEM is for.
But first, a quick thing about us. We’re a factory. Not a trading desk, not a sourcing agent. We actually build these things. Moulding machines. Driver assembly. Cable soldering. QC testing. All under one roof. That matters when you want consistent quality, custom colours, your own logo, or special packaging.
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Now let’s talk about the headphones.
What’s the difference between all these Audfine models?
This is the question we get most. People look at the list and go – they all have 50mm drivers and 32 ohms, what’s the difference?
Fair question. Let me break it down in plain English.
And if you’re looking for a reliable wired headphones manufacturer China – that’s us. We supply studio headphones wholesale factory orders, DJ headphones OEM supplier requests, and custom monitor headphones OEM factory projects. Everything we make is headphones ready to ship DDP – meaning we handle customs and delivery to your door.
DH-7300 – the one that does everything decently
Balanced sound. Not too bassy, not too bright. 10Hz to 40kHz. 97dB sensitivity. Folds flat, swivels 90 degrees. Coiled cable that stretches to 4 metres.
This is the headphone you hand to a musician tracking guitars, or a vocalist doing overdubs, or an engineer checking a rough mix. It doesn’t exaggerate anything. What you put in is what you hear.
The coiled cable is a nice touch – it doesn’t get tangled around chair legs or mic stands. And the foldable design means you can chuck it in a bag if you’re working in different studios.
DH-7600 – same design, more headroom
Looks the same as the 7300. Folds, swivels, coiled cable. But the sensitivity is 98dB instead of 97dB. And the power handling is higher – 400mW rated, 2000mW max compared to 350/1800 on the 7300.
Translation: you can push it harder before it distorts.
If you’re working with a loud headphone amp or you crank the volume on a console, the 7600 gives you extra room. Frequency response starts at 12Hz instead of 10Hz – you won’t notice that. The extra power handling is what matters.
DH-1771 – the bass one
This is tuned differently. Same driver, same 32 ohms. But the earcup geometry boosts low frequencies.
If you’re a DJ, you need to hear the kick and the bassline clearly in a loud booth. The 1771 gives you that. Braided cable instead of coiled – 3 metres, less tangling. Earpads are softer, skin-friendly.
It doesn’t fold. If folding is important to you, the 7300 or 7600 are better. But for bass response, the 1771 wins.
DH-1775 – the repair-friendly one
Detachable cable. That’s the headline.
Cables fail. It’s just a fact. They get stepped on, yanked, twisted. With most headphones, a dead cable means a dead headphone. With the 1775, you unplug the old one and plug in a new one.
Frequency range is 18Hz to 35kHz. Slightly narrower on both ends but still plenty for monitoring. 97dB sensitivity, lightweight build.
Rental companies love these. Touring musicians love these. Studios that go through a lot of gear love these. Because you’re not replacing the whole unit every time a cable dies.
DH-7500 – the flat one
This is for critical listening. 12Hz to 40kHz, 100dB sensitivity – the highest in the lineup.
Flat tuning means no frequency is emphasised. You hear the mix exactly as it is. If the bass is muddy in your mix, you’ll hear it. If the high end is harsh, you’ll hear it. That’s the point.
Folds, swivels, coiled cable. If you’re mastering or doing detailed mixing work, this is your choice.
Let me give you a quick comparison – side by side
| Model | Best use | Freq response | Sensitivity | Cable type | Folds? | Standout |
|---|---|---|---|---|---|---|
| DH-7300 | General studio tracking | 10Hz–40kHz | 97dB | Coiled 4M | Yes | Balanced, versatile |
| DH-7600 | Loud studio monitoring | 12Hz–40kHz | 98dB | Coiled 4M | Yes | Extra power headroom |
| DH-1771 | DJ, bass monitoring | 10Hz–35kHz | 98dB | Braided 3M | No | Enhanced low end |
| DH-1775 | Touring, rentals | 18Hz–35kHz | 97dB | Detachable 3M | No | Replaceable cable |
| DH-7500 | Mixing, mastering | 12Hz–40kHz | 100dB | Coiled 4M | Yes | Flat frequency response |
All five use 50mm neodymium drivers. All are 32Ω impedance. All come with a gold-plated 6.35mm to 3.5mm adapter. All have soft earpads and adjustable headbands.
Options for all: hard case, soft pouch, custom box, microphone cable, extra pads or cables.
What people actually ask us – not the textbook questions
I’m just going to list these because they’re the real ones.
“Do you have these in stock or do I need to wait?”
We keep standard Audfine models in stock. No logos, no custom colours – those ship in 2–3 days. If you need custom branding, we’ll give you a lead time based on the quantity. Usually 2–3 weeks for 500 units with custom printing.
“I want my logo on them. How does that work?”
Send us your artwork file – AI, EPS, or high-res PNG. Tell us your Pantone colour. We’ll print or pad-print your logo on the earcups, the headband, or both. We’ve done this for dozens of brands. It’s straightforward.
“What about the box? Can I get my own design on it?”
Yes. Custom box printing is an option. We can do standard cardboard boxes with your branding, or rigid gift-style boxes if you’re selling retail.
“I hate dealing with customs and brokers. Do you handle shipping?”
Yes, we offer DDP shipping. That means we handle the freight, insurance, customs clearance, and import duties. The price we quote you is the price you pay – delivered to your door. No hidden charges.
“Can I try one first?”
Of course. We ship samples via DHL or FedEx. If you want, we can do a video call and show you the actual production process – driver assembly, soldering, testing. We’re transparent about how we make things.
“How do your headphones compare to Sony or Audio-Technica?”
We don’t claim to beat $300 headphones. That would be silly. But for the wholesale price – especially with OEM – we offer comparable performance to mid-tier models. 50mm neodymium drivers, flat frequency response, solid build. Many of our customers have switched from big brands and saved a lot of money without sacrificing quality.
“What if something breaks?”
One-year warranty, standard. For OEM orders, we can include spare parts – cables, earpads, even drivers – so you can do repairs locally. We also keep spares in our factory for ongoing support.
Why work with LESOUND instead of other suppliers?
Look, I’m not going to bash other suppliers. But here’s what makes us different.
We’re an actual manufacturer. Not a middleman.
We own the injection moulding machines. We own the driver assembly line. We own the cable soldering stations. We do final QC in-house.
That means:
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Every batch uses the same materials. No sudden changes.
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We can adjust specs – cable length, colours, logo placement – with reasonable MOQs.
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We share test results. We send production photos. You know what you’re getting.
We also make Yinyu music stands, but that’s a separate thing. For headphones, Audfine is our brand – and we stand behind it.
Here’s what we also offer that you might not expect
Microphone cables – not just as a standard option, but we can integrate a mic cable into the headphone design if you need that for gaming headsets or communication headsets.
Extra ear-pads – we can include additional pairs in your shipment. Pads wear out, especially in rental use. Having spares is a smart move.
Customised boxes – not just a sticker on a generic box. We can print full-colour boxes with your artwork.
Different cable lengths – standard is 3M or 4M. Need 1.5M for a smaller studio? We can do that. Need 6M for a big live room? Done.
So where do we go from here?
If you’ve read all the way down, you’re probably serious about getting good headphones.
Here’s what I suggest:
Look at the comparison table again. Pick one or two models that match what you do.
Then email us. Tell us:
– Which model
– How many units
– If you need OEM (logo, colour, packaging)
– Where you’re shipping to
We’ll reply within 24 hours. Real person, not an autoresponder. We’ll send you pricing, lead time, and sample options.
We have headphones ready to ship DDP – so we can move fast if you need them urgently.
Contact LESOUND ELECTRONICS. We’ll get you set up with the right headphones for your studio, your DJ rig, or your brand.
No pressure. Just good products from a factory that actually makes them.







